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Book
Case Planning Tips
-- Discussion Notes
Step
1.
Purpose
a)
Books and Albums
b)
CD’s and Videos
c)
Display Collection
d)
General Purpose
Step
2.
Style
a)
Jacobean
(1600-1690),
b)
Early
American (1640-1700)
c)
Queen
Anne (1700-1755)
d)
Chippendale
(1750-1790)
e)
Federal
(1780-1820)
f)
Shaker
(1820-1860)
g)
Arts
and Craft (1880-1910)
h)
More See Appendix D
Step
3.
Size
a)
Width
b)
Depth
i)
Will
this unit hold a stereo system or a TV?
c)
Height
Step
4.
Layout
a)
All Shelves?
i)
Adjustable
ii)
Fixed
iii)
Combination
iv)
Wood
(1)
Stiffening Face Strips
See
Appendix A
v)
Glass
(1)
Framed
(2)
Unframed
b)
Doors on Bottom Section?
i)
Flat
ii)
Flat Panel
iii)
Raised Panel
c)
Fixed Middle Shelf
Step
5.
Type of Construction
a)
Standard Case Goods – Box
b)
Frame and Panel
c)
Four Post – Open Sides
Step
6.
Back Design
a)
Flat sheet goods
b)
Ship Lap Solid Boards
c)
Beadboard
d)
Mirror
Step
7.
Main Material
a)
Solid Wood
i)
Glued
up panels
ii)
Solid
(1)
1 x 12 Pine Pieces
(2)
Wide Mahogany, Poplar, etc.
b)
Sheet Goods
i)
Edge
Banding
(1)
Solid
(2)
Glue on Veneer
Step
8.
Secondary Material
a)
Solid wood to match sheet goods
Step
9.
Trim Options
a)
Face Frame
b)
Frameless
c)
Base
d)
Cornice
i)
Built
Up Crown
e)
Pilasters
Step
10.
Special Considerations
a)
Lighting
b)
Step
11.
Hardware
a)
Hinges
b)
Adjustable Shelf Pins
c)
Latches
Step
12.
Finish
a)
Stain
b)
Oil
c)
Lacquer
d)
Polyurethane
Step
13.
Material Sources
a)
Home
Center
i)
Home
Depot
ii)
Lowe’s
b)
Lumber Yard
i)
Suwannee
Lumber Company
ii)
Atlanta Hardwood Products Company
iii)
Peach
State
Lumber
Step
14.
Construction Sequence
a)
Sub Assemblies
i)
Base
unit
ii)
Top unit
iii)
Fixed middle shelf unit
b)
Case
c)
Back – attach temporarily – remove for
finishing
d)
Face Frame
e)
Pilasters and other face frame built up trim
f)
Base
Trim
g)
Cornice Trim
h)
Fabricate shelves
i)
Apply
Finish
j)
Enjoy!
Appendix
A
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Woodworking
Tips via Email #1:
Shelving Spans
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If you're designing a cabinet or a bookcase, what's the
greatest length (span) a shelf can be without an objectionable sag? There
are four factors to consider: 1) how the load is distributed, 2) the
expected load, 3) the shelf material, 4) the method of reinforcement.
LOAD DISTRIBUTION. For the tests we conducted to create our
recommendations (see below), we wanted to determine the worst possible
situation for the distribution of load. So we use six bricks (42 pounds)
and placed them right in the center of the shelf. However, in a normal
situation, the weight would probably be distributed over the entire shelf.
EXPECTED LOAD. Another factor used to determine maximum span is the
total expected load -- the longer the shelf, the more books (and weight)
it has to hold. A running foot of average sized books weighs about 20
pounds. So a three-foot shelf filled with average sized books would have
to support 60 pounds. Records albums (does anyone use these anymore) and
encyclopedias would weight more, paperback books less.
SHELF MATERIAL. The third factor used to determine maximum span is
the type of material used -- particle board, plywood, solid wood. Each has
a different stiffness.
REINFORCEMENT. Finally, if you want to increase spans, you can add
reinforcement to reduce the amount of sag.
GUIDELINES. Taking the four factors into consideration, the chart
shows some general guidelines for the maximum span for shelves to avoid
objectionable sag. Note: The most practical approach is to use 4/4 stock
or plywood with reinforcement. This will produce shelves with minimum sag
and the best visual appearance.
MAXIMUM SPAN FOR 10" WIDE SHELF FULL OF BOOKS
Shelf
Material
|
Maximum
Span
|
3/4"
Particle Board
|
24"
|
3/4"
Plywood
|
30"
|
4/4
(13/16") Solid Stock
|
36"
|
6/4
(1-5/16") Solid Stock
|
60"
|
3/4"
Plywood Reinforced with:
|
1-1/4"
wide face strip on edge
|
36"
|
1-1/4"
wide face strip on side
|
32"
|
Aluminum
strip underneath
|
36"
|
Molding
strips underneath
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36"
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© 2003 August Home Publishing Co.
2200 Grand Ave.
Des Moines
,
IA
All Rights Reserved.
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Appendix
D
Furniture
Styles
Jacobean
(1600-1690)
An English style of furniture, which is medieval in appearance with
straight lines, rigid designs, sturdy construction, ornate carvings and a
dark finish. Much of the early American furniture was patterned after this
style.
Early
American (1640-1700)
Rudimentary utilitarian furniture made from local woods. It was brought
from or modeled after European furniture styles, particularly from
England
,
France
, the
Netherlands
, Scandinavia and
Spain
.
William
and Mary (1690-1725)
Named after William and Mary of
England
(1689-1694). It has Dutch and Chinese influences and is characterized by
trumpet turned legs terminating in a ball or Spanish foot, padded or caned
chair seats, and Oriental lacquer-work.
Queen
Anne (1700-1755)
Named after Queen Anne of England who reigned from 1702-1714. The Queen
Anne style is a refinement of the William and Mary style with a moderately
proportioned, graceful appearance. It is characterized by cabriole legs
terminating in a pad or drake foot, fiddle-back chair back, and bat wing
shaped drawer pulls.
Colonial
(1700-1780)
Combined the furniture style characteristics of William and Mary, Queen
Anne, and Chippendale. Colonial furniture tended to be more conservative
and less ornate than English and European furniture of the same style
period.
Georgian
(1714-1760)
Named after George I and George II who reigned
England
from 1714-1760. Georgian furniture is a more ornate version of Queen Anne.
It is characterized by heavier proportions, elaborately carved cabriole
legs terminating in a pad or ball-and-claw foot, ornate carvings, pierced
back splats, and the use of gilding.
Pennsylvania
Dutch (1720-1830)
A simple, utilitarian American country style of furniture with Germanic
influences. It is characterized by colorful folk painting on case pieces.
Chippendale
(1750-1790)
Named after British designer and cabinet maker Thomas Chippendale, who
published his furniture designs in "The Gentleman and Cabinet Maker's
Director" in 1754. The Chippendale style can be classified into three
types: French influence, Chinese influence, and Gothic influence. In the
United States
, the Chippendale style was a more elaborate development of the Queen Anne
style with cabriole legs, ball-and-claw foot, and broken pediment scroll
top on tall case pieces.
Robert
Adam (1760-1795)
Named for architect Robert Adam who studied ancient architecture in
Italy
. While in
England
, he designed furniture with classical details that would fit the
character of his classically designed homes. The Adam style was limitedly
reproduced by cabinetmakers in the
United States
. Adam interior millwork and woodwork was reproduced in
South Carolina
.
Hepplewhite
(1765-1800)
Named after English designer and cabinetmaker George Hepplewhite whose
designs in "The Cabinet Maker and Upholsterers Guide" were
published posthumously in 1788. The Hepplewhite style is neoclassic and
was reproduced in the
United States
particularly in the Carolinas,
Maryland
,
New England
,
New York
and
Virginia
. It is characterized by a delicate appearance, tapered legs and the use
of contrasting veneers and inlay.
Federal
(1780-1820)
Combined the neoclassic furniture style characteristics of Hepplewhite and
Sheraton. It is characterized by graceful straight lines, light
construction, tapered legs, and the use of inlay, and contrasting veneers.
Sheraton
(1780-1820)
Named for English designer Thomas Sheraton who published his designs in
"The Cabinet Makers and Upholsterers Drawing Book" in 1791. It
is a neoclassical style characterized by delicate straight lines, light
construction, contrasting veneers and neoclassical motifs and
ornamentation. The Sheraton style was the most reproduced style in the
United States
during the Federal period.
Duncan
Phyfe (1795-1848)
Named after American cabinetmaker Duncan Phyfe. The Duncan Phyfe style is
considered by some art historians as more of an adaptation and refinement
of Adam, Sheraton, Hepplewhite, and Empire than a style in itself. It is
characterized by carved or reeded legs and neoclassic motifs.
American
Empire (1800-1840)
Patterned after French Empire with classical influences. It is moderate in
proportion with classical ornamentation, coarse carving, and a dark
finish.
Shaker
(1820-1860)
A simple and utilitarian style produced by the religious group, the United
Society of Believers, in self-contained communities within the
United States
. It is characterized by straight tapered legs, woven square chair seats
and mushroom shaped wooden knobs.
Victorian
(1840-1910)
Named for Queen
Victoria
of
England
who reigned from 1837-1901. The Victorian style draws its influence from
gothic forms with heavy proportions, dark finish, elaborate carving, and
ornamentation. The Victorian period was the first furniture style of mass
production.
Arts and
Craft (1880-1910)
The Arts and Craft is characterized by simple utilitarian design and
construction. Arts and Craft style furniture is also referred to as
Mission
.
Art
Nouveau (1890-1910)
A naturalistic style characterized by intricately detailed patterns and
curving lines.
Scandinavian
Contemporary (1930-1950)
A simple utilitarian design style in natural wood popularized by Danish
and Swedish designers.
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